Monthly Archives: November 2012

Dialectics of the (In)Edible: Colons, Colonies, and Colonialism in Abe’s The Green Stockings

I Bernard Beckerman once called theatre a “glutton”: “It will swallow any kind of material and experience that can be turned performance” (1970: 11). Beckerman’s frame of reference was western experimental theatre of the 60s and 70s, but where else … Continue reading

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